FROM THE TEMPLE
Pinar Demirdag and Viola Renate (of Pinar&Viola) in collaboration with choreographers Thea Bautista and Dorothea Garland
JUNE 1-10, 2018
Fridays, June 1 + 8, 7PM / Saturdays, June 2 + 9, 6PM / Sundays, June 3 + 10, 5PM
On view June 1 – 3 + June 8 – 10 / 12PM – 6PM / or until end of performance
John Doe Gallery, 112 Waterbury Street, Brooklyn, New York 11206
John Doe Gallery hosts The Prelude Projects Fund’s presentation of From the Temple, featuring all female contributors :: Paris-based visual artists Pinar Demirdag and Viola Renate (of Pinar&Viola) in collaboration with emerging New York-based choreographers Thea Bautista and Dorothea Garland. Known internationally for their indulgent visuals, Demirdag and Renate offer a destabilizing installation in which two new dance works will be performed and viewed in the round. From the Temple is a project that seeks to accentuate the female artist’s distinct voice while considering and signaling where these two disciplines can go together.
In a Neo-Surrealist pattern that absorbs the vertical and the horizontal, the dynamic and the static, Demirdag and Renate invite entry to an all-consuming space of aesthetic inquiry and play, with walls of glazed eyes, knowing grins and columns of pearls, set against a backdrop of oscillating palms. The installation is an enclosed space that the viewer must make the decision to enter, thus leaving the rational everyday for the transformative unconscious of the artists. Brought to life in a way suited to the spirit of our age, the pattern speaks to the idea of the ancient Roman sacred spring that promised to revitalize the arts and societies. It is about rebirth and renewal. It confronts the senses while signifying something high. It is wild and yet subject to eternal ways.
From the Temple suggests the transcendence of something high and making it visible, and here, the role of the dancer is center in these pursuits. In the limbs of the dancer, in a field of visual extravagance, instinctual life is laid bare. Historically in the visual arts, the dancer has been a metaphor for the rupture from a stifling old order, or a climate of alienation. The female dancer speaks to something pure and intuitive – a figure that represents nature and feeling merging, a fusing of the physical and the spiritual.
The new choreographic works complete the total. With no set orientation, like the pattern that encircles and takes in both viewer and dancer, the stage can be viewed from any angle. Each piece demonstrates its choreographer’s singular movement vocabulary. Bautista’s work will open, imparting more immediacy; Garland’s will close the evening in a stylistic language more removed, more of another realm.
Artists :: Pinar Demirdag + Viola Renate (of Pinar& Viola)
Choreographers :: Thea Bautista + Dorothea Garland
Dancers :: Thea Bautista, Sarah Le Guenno, Dorothea Garland, Isabelle Seiler, Tanya Trombly + Marissa Frey
Costume designer :: Gabby Grywalski
Set designer :: Nicholas Kennedy
Curator :: Jennifer Carvalho-Bindi
Producer :: The Prelude Projects Fund
The Prelude Projects Fund is a newly founded non-profit source of funding that exists to encourage and facilitate collaborations between the visual and performing arts to advance the conversations of these disciplines.
For press inquiries, contact The Prelude Projects Fund / Jennifer Carvalho-Bindi at firstname.lastname@example.org